Storyteller, spiritual scholar, songstress, seeker, and psychic cartographer.

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  • Ethnographic art, autobiographical archive, activism, scholarship, pioneering praxis

    Author, Performance Artist, Ritualist

    For the last 10 years I have been archiving a prolific output of creative response to the unique lived experience of being a spiritually gifted young woman in the wake of crisis due to generational trauma and broken institutions. 

    As the daughter of a Vietnamese American refugee my gifts were awakened following the tragic loss of my brother to police brutality. 

    The journey that followed brought me around the world and to places I’d never dreamt I’d experience. 

    For ten years I’ve conducted investigations into these institutions and systems, their histories and the many cultural traditions of those they’ve impacted.

    I’ve found profound depth and power in the people I’ve encountered in a radical search for ailments to a spiritual malady shared by many.

    In my darkest hours and most perplexing moments, it has always been Joy that saves and sees me through.

    My work consists of memoir writing, creative non-fiction, poetry; performance; improvisational arts; dance; meditative arts; ritual; visual art; immersive experience; and my favorite, channeling live musical events and free styling new and original lyrics and melodies in solo or ensemble configurations. 

    My life is my peace activism and prayer.

  • Ongoing Dream Work

    Journaling, prayer, meditation, synchronicity, archetypes, symbolic studies, ancestral & collective work.

    My earliest memories are dreams I experienced before I was verbal. The motifs and themes of these early knowings have informed a lifetime of my artistic engagement with the vivid, imaginative, otherworldly experiences I have every night. Connecting their overarching patterns and marveling at how certain symbols of a dream manifest in tangible, unmistakable form in the waking world, I’ve discovered that I’ve been talking to myself across dimensions of space and time. The merging forms of the two worlds grows more vibrant and uncanny and it continues to reveal a paradigm of Quantum Mystery.

  • Project Inspire

    Community Outreach Director – Project Inspire, UCLA (2025)

    Project Inspire provides a supportive community for individuals directly affected by psychosis, voices, visions, and “unusual beliefs,” as well as for their family members based out of UCLA and open to the greater Los Angeles area. We connect affected individuals with on-campus resources—such as the CAE, caseworking office, aftercare program, CAPPS, AAP, and disability union—only if they seek support. We aim to reduce stigma surrounding psychosis, voices, visions, and “unusual beliefs” through educational outreach, including visiting public schools in Los Angeles to teach about these experiences. We host guest speakers, including individuals with lived experiences as well as experts on psychosis, voices, visions, and “unusual beliefs.” We engage with the greater Los Angeles community by offering mentorship programs that connect undergraduate and graduate students with exemplary role models. Ultimately, we strive to empower those affected to take pride in their experiences , helping them overcome feelings of shame and guilt.

    We partner with NAMI West LA and the Bearden Lab out of the Semel Institute of Neuroscience and are always expanding our network.

  • Poetry and Dramaturgy for Together Song, by Natsuo Tomita

    Dramaturg and Writer – Together Song, by Natsuo Tomita (Spring 2025)

    Provided adept personal insight into the work of zen luminary and peace activist Thich Nhat Hanh as a dramaturg, supervising script development and writing original poetry for the piece. Offered key inspiration to the design team and ensemble, working closely with the choreographer and director for the 3 act ballet,  a site-specific multimedia production set to poetry and featuring special lighting and projections.

  • Directing 2025

    Performer & Director of Continuity – Metamorphoses of a Madman, directed by Meng Jinghui. (2025)

    As part of a UCLA Theater workshop class, I generated new devised work with an ensemble team under the close mentorship of legendary experimental pioneer Meng Jinghui. We worked with two classic texts from the East and West, culminating in avant-garde, form-focused, work-in-progress performances. We became familiar with the acclaimed director’s unique approach and practices in devising cross-cultural work and exploring novel, unconventional performance style and process.

    This Summer I will be the director for our site-specific adaptation of this performance at Aranya International Theater Festival in China, where our former acclaimed director is the founder and artistic director of this annual global event for avant-garde emerging and professional artists.

    Photos courtesy of Todd Cheney

  • “Autumn Tenders”, by Savannah N. Smith.

    It occurs to me that all this is going to fall away, like autumn leaves gently exhaling this belly full of sun, we too are lightening our foliage. The open, empty darkness of Winter warmly waves a happy smile at our arms full of harvest, acorn squash lining the stairs, more melon squash and beans that yellowed under a blazing heat. The napping garden gets up off the earth and shakes off loose dirt. We waltz along to songbirds and slowing season silences, traipsing along the uneven hill towards gates and doors to that place where we all sit together. The roof of the steep A-frame and the canopy of acacias like a gentle cloud, parting earth from the beyond, holding our cozy cameraderie at her zenith, the lark at last ascending.

    When I redeem my memories and woes with gentle knowing, capable holding, the time reliably humbles me, like a cold creek of racing ice water shocking and licking up my feigns of stiffness. Refreshingly, she lays me down, on green moss algae rock, I rest my naked body on the creekbed baby boulders, bow my inner head to her great power, and rest in the sweet resounds of Truth: I am all but baby to her beauty.

    My little person is the last to shiver and quake ‘neath the full moon crested over these pine warriors, my body last to bed as I behold the violet moon.

    When I am all alone, I thank myself that this has come to pass, and with the bittersweet surrender to the Great River of Life, my little creature scurries home by silver moonlight, crunching past pinecones, relieved to be so meek again. 

    This time of great confetti leaves littering the forest floor from a night of wild wind whirling on the dancefloor, whipping sensational gusts of their coming through the hair of limbs and branches. The valley crest is merciful, a mediate day betwixt the warmth and the winter-come. My final acts of flirtation (as if we could ever deliniate her presence) embrace the Greater Poet. Sighing upon slippery rock, grazing my leg on his with gravel shifting between us, my belly slithers onto the mineral rich, humble throne of a creekside hotspring. Sulfur rising in the mist of the midnight steam, he is gorgeous and he might have heard me say, I cannot help but behold beauty, and realize in surprise that none of us who see it ever stand a chance to resist the impulse of the eye, that takes to mystery and majesty’s lips meeting. 

    Like adam and eve at ease in their eden, we sit close so to whisper of what sights our eyes seer. The rhasp of this strained voice can yearn no more. I must submit to whisper what my secret visions are. As like young kids, we know the role and let it play without the shy manuevers of embarassed older minds. 

    In direct indirectness, he lets me know, and I, attuned, agree. He sees more that I cannot say, not quite tonight, and smartly, self-preserved, he turns in after farsi and dear farces of our other selves, important and improvised, much like the grand eloquations of our metered rap and rhyme. 

    Socrates and pharmakon, antidote or remedy; centuries misunderstood, the mind that melded milleniums of that Language we struck like Medusa, turning gallance into stone. 

    I let myself enjoy my gifts. 

    They only come down ever so, and when the Heavens share, of every yoke I delect, and little else can sour. At least to say, when I allow, I ample take my space. 

    Tis not too oft that nakedness and elegance and entry into loam give bucketloads of wine to such a dry nun as my dress. 

    Relent, as wise, and intertain, the voice that he can stir again.

    The bellows I let loose on water, river take the pain of daughters dropping responsibility and spilling others cup.

    Exchange of feathers, puffed and proud,

    Exchange another, three’s a crowd

    Burst wide open on uphill

    Spilt the secrets of his kill

    Sweet relief of that return

    The love so pure and sweet it burns

    Burns my eyes and inner flesh

    Burns my heart, the cards were dealt

    such that I won my hand three times

    right on the dot 

    Ive not forgot

    the way I found the better me

    I wish I never stopped to squinch my nose and fret about fray fillies

    The greatest gift to grace the later half, and here we are,

    Perfectly mortal

    Vibratory tuning forks, perfectly pitched and forged far apart

    I eat your Gifts with somber dignity and bless, the key again turns in my chest

    From mottled golden bronze to sleek

    Silver tears stream on my cheek

    I pet my heated heart and face

    to think of all the thousand ways

    I ever get to be set free

    by friends who are greater than me

    I give  my mouth and humble cries

    My alibi, “I slipped away,”

    into that sacred precious now

    where you are God and I avow

    a feather fealty oath to youth

    and drunken-sober bitter proofs

    That all consent is given grace

    and all my desparate wanton chase

    could never force the friend to drink

    the potion of blood-sisters brink

    Edge of childhood

    Map unstarred

    Scabs that turn to perfect scars

    Let the simple flesh take tooth

    The fruit, the cat, that bat in soothe

    ransom 

    dance ’em 

    Let it fly

    I’ll kiss your mem’ry cross the sky

    and with Good Autumn’s sweet farewell

    I break the Virgo Goddess spell

    The wish of lessèd pain in love

    the Greatest Dream I ever smudged

    Golden billows

    Gentle gaze

    Raindance of tomrrow’s stage

    Give me back my stolen kiss

    Virginity my prized beheaded witch

    and I will slumber

    I’ll be gay

    Naked in my comfort lay

    Holy Grace

    mother smiling at her daughter’s crayons and finger paints

    For all I am is a crude gobbling of feasts of Him

    My handsome B’loved in the Wind

    Holy Lips

    Gentle Crown

    Kissing Persephone descending down

    To Hades pomegranite revelations

    How could I think to forfeit station

    I wait here in dark through day

    The Spring can wait while Im away

    I like it here, my King and Queen

    Demeter’s Grief

    the Daughter’s Dream

    The everflowing endless stream

    So I walk out

    Back up beyond the trees charred by a flame of long

    Let me twinkle in that eye

    The sweet release a death of mine

    I only eat what all I need

    a morsel ‘nuf to sate’ my teeth

    I hold it

      hear

    Pearl 

    Open

    Vine

    Lay me under sulfur wine

    Spotting starships perfect line

    disappear

    and trim the vine

    Icy cold

    alone 

    at last

    I shiver and go tend the mast

    The wind’s picked up

    The Pegasi

    so bright my compass in the Sky

    So kill it quick, if must then do

    I only meant to share with you: the humble gorge of timeless hour where I am likened to that shower of the stars we wish upon, you give me both and then they’re gone,

    like apples tossed, confused, dismayed,        I give my crutch back to the day

    The piano harp and cello know

    How violin and Her voice go

    So let the somber blanket rest  upon Earth Aphrodite’s breast      I give on breath of solemn vow

    To love from Under anyhow. Im not alone, I row with eyes of Zion besides, though Anne Sophia Wise of Grace speaks loud not me, within my face is ever-present smile of hers, appled cheeks and gentle words…. I fear when I see the men in my face who so long saw but spiked embrace. I give back unto them my vow: to try love our mem’ry anyhow. 

    Goodbye sweet days of lazy youth

    Of hurting friends

    decayèd tooth

    smoking things like restless pride

    Hiding out in plainest sight

    Think of me

    The Best, I mean

    Of kiss’t mason jars, crystal rings

    gifts of time and secrets bared

    Of all your perfect, messy hair

    I will, I pray, do best to stop

    Pretending love is ever lost

    It supple hurts when it is changed

    but like the rain it turns again

    to snow 

    to lakes

    the tea turned cold

    or to the tears when we are old

    I love you all

    Love brother most

    (but that’s a love I get to boast)

    so give me simple teenage gaze and look me up and turn the page

    and pray for me, as I did you, that we remember that Whole truth:

    We loved in youth when love was lean, abundant seldom, sometimes mean

    I tried, you too, we did our best, so let the Autumn give us rest

    I will do better our next go

    but please forgive her coming slow

    I love to fetter on and on, like a childhood repeating song, so let me end while I’m ahead: of you I am most always near.

    Just breathe and smile and try remember, why I cry so in November, and I do promise I won’t sing of all our sins or bitter reems; I’ll love you with an agèd wize, I’ll love you sacrè bleu of skies, I love us like that Pirouette I earned, I love with open tender bet: that our love sings and vibrates on, such as a marathon. I love you and I loved our love, goodbye long summer mirage of sun. Hello hearth and hello rain, good to see you friends again. See you in the spring of tides, and dream well in the womb of life; hibernate and let her hold your bones, return to me upon your throne. All hail the holy winter time, all hail the pruning of the vine, godspeed (whatever that phrase means), let’s dream a smarter, fiercer peace. Piece of art, you and this light, piece of my heart’s paradise. Go in trust, and go with God, yellow blue and violet onyx.

    Sleep, slumber, slow and still: kiss me in the river thrill.

    Slept, woke, foraged for my fill, and that Perfect evades us still, and thank the heavens it is so, so on and on the party goes, 

    thanks heavens She eludes just so,

    so on parades the earthen host;

    thank god I’ll probly never know

    So I can kiss and never know

    so we can miss and carry on

    and One day rest in that Beyond.

    Keep calm and kiss along.